See the updates here… http://www.gallerymar.com/info/press/

Park Record “Bread and Blue” – May, 2010 & 15 Bytes Exhibition Spotlight “Into the Blue” – June, 2010

“This month at Gallery MAR you can view Randall Lake’s “Blue” paintings, a group of work first explored in our profile of the artist in the January edition of 15 Bytes. These deeply personal and stridently polemical paintings reveal a rarely seen aspect of the Utah artist best known for his genteel landscapes and still lifes…”

Southwest Art Magazine “Newsmakers– Scott Lloyd Anderson” – June, 2010

“‘Valentines for Sale’ by Minnesota painter Scott Lloyd Anderson won Best in Show and an $8,000 prize at Salon International, an exhibition of representational oil paintings held each year…”

Southwest Art Magazine “Matt Flint” – March, 2010

“Capturing the rhythms of the natural world. His father once made testers for radar guider systems. His sister is a nuclear power plant manager. Wyoming painter Matt Flint grew up in a science-oriented family is rural Missouri…”

“Bread and Blue” by Randall Lake—Reception on Friday, May 28th, 2010

New works by Utah artist Randall Lake

“A skull is more interesting than a naked woman” -Ingmar Bergman’s “The Seventh Seal”

Randall Lake is a man who should have been born 150 years ago. He lives his life with a turn-of-the-century mentality, having an appreciation for manners, letter writing, antiques, and fine art. During his career forty+ year career, he has accumulated an impressive resume of awards, commissions, and collections.

For this new “Blue” body of work, Lake’s ideas came to him in the middle of the night; he got “slammed with the idea and had to draw it out, right then and there in the kitchen” and then worked on the piece the next day, using his brush as a cudgel. The new work is focused on human misery, and inspired by Goya’s “Disasters of War.” For Lake, the work is intensely personal: “The imagery in these works, I saw this and I witnessed this.”

This work is Randall Lake’s life. These paintings are coming honestly from this artist, without censure. “Bread and Blue” reminds us that it’s the struggle that brings people together, and not perfection. Moving away from teacups, dinghies, florals, and portraits, Randall is now embarking on a new frontier. He is no longer fulfilled, faithfully painting the realistic way objects or landscapes look.