Posts Tagged ‘Michael Kessler’

The Healing Effect of Michael Kessler’s Paintings

Saturday, May 14th, 2011

Park City’s Gallery MAR artist Michael Kessler recently sent us this article, describing some of the more powerful effects that his art has had on collectors and appreciators. As always, I recommend that collectors buy what they love– what makes them joyous and connects with their heart. Kessler’s paintings continue to speak in such a way to our audience.

Over the past several years it has become increasingly obvious that my work has a special interest to people involved in healing or recovery. Beauty and inspiration have always been the main ingredients and effects I have been after with my work. Two years ago a man was in the MD Anderson Cancer Center in Houston recovering from Cancer treatment. During a walk through the gallery district, he encountered my work and promptly purchased several large pieces for his new contemporary home in Madrid. He also commissioned me to produce a large piece for his house. Here is a short video documentation of the production of this particular piece: http://www.youtube.com/watch?v=uUJwXvvsW54
Then, last year the very same thing occurred in Boston with a man from Chile who was recovering from cancer. He also purchased a piece and commissioned another large work for his home in Chile. Here is a short video documenting that production. http://www.youtube.com/watch?v=6axvG5I1d7s.  Most recently then I have received a very large commission from the MD Anderson Cancer Center in Houston where my painting is to be installed in the lobby.
Throughout my life I have focused upon the positive and allowed it to manifest within my life and art. Part of my philosophy is that we all very much take part in the creation of our personal realities and by extension we all very much take part in the creation of our cultural realities. Positive energy does in fact shape out beings and can contribute to the healing of our bodies and our minds.

Creative Installations for You… When You HAVE to Have it.

Saturday, March 19th, 2011

A collector’s “wall”: artworks hanging from the spines of books.

In the Park City gallery, I continually hear the phrase: “We have no more room for art!” And what a lovely problem to have!

I myself have a small home (as is the case with most miner’s homes built in the late 1800s) here in Park City and there never seems to be enough room for our artwork collection. Nonetheless, it keeps growing. This weekend, my husband and I were traveling through California and happened upon some sculptures by Karen Shapiro that we couldn’t live without. It’s a bug. I know I have a(n art collecting) problem. We were both giddy as we arranged for shipping and tried to wrack our brains to decipher were they might go. Didn’t matter… we would make them fit!

Michael Kessler’s latest installation from Gallery MAR, in Boston

There is always a creative spot for paintings and sculpture. Sometimes it just takes a little adjustment here and there. Found a little 20″ x 30″ landscape that perfectly captures how you felt on your Tuscan vacation? Move your (already hung) 30″ x 40″ painting down 2 feet and put the smaller work on top of it. Discovered a new and emerging glass artist whose glass vessel is as blue as your wife’s beautiful eyes? Donate a few of your books to the library and your shelves now have more room for sculpture!

A phrase that we always love to hear:  “Oh, we’ll find a place!” The words of a true collector.

New works by Michael Kessler

Monday, February 28th, 2011

We just received ten new paintings from New Mexico-based artist Michael Kessler. A personal favorite of mine, Michael Kessler paints in layers of acrylic with a high gloss resin topping the abstracted landscapes. Although the images below are gorgeous, the pieces in person are a site to behold. Please stop by the Park Ciy gallery soon to enjoy these masterful works yourself.

An Artful Visit to Sun Valley

Tuesday, August 3rd, 2010

Last night I arrived home at midnight from a whirlwind trip to the Sun Valley/Ketchum, ID area.  About 5 hours north of Park City, Sun Valley has incredible galleries, restaurants, biking, hiking, and skiing (later in the year!). We were amazed by the friendliness of the community and the events and activities that they have to offer their summer visitors.  It’s about as fabulous as Park City in the summer time… well, almost!

Gilman Contemporary Gallery, Ketchum [Ashley Collins Dog, Left]

Friesen Gallery, Ketchum [Michael Kessler painting]

There are quite a bit fewer galleries in the Ketchum area than there are here in Park City, but ones that are there are all top notch. Gilman Contemporary has received the Best Gallery award for two years in a row, but it is Gail Severn Gallery that truly stands alone. This vast gallery showcases artists from Chris Reilly, to Michael Gregory and (my favorite) Marcia Myers. Gallery MAR’s Michael Kessler exhibits at Friesen Gallery (who also has a location in Seattle) and his works truly shine in this space. Another highlight is Kneeland Gallery, who showcases local Utah artists and one of my personal friends Shanna Kunz.

Gail Severn Gallery, Ketchum [James Cook landscape]

What an inspiration to see so much fantastic art in a small town. In addition to the art tour, my husband and I rented bikes– we rode down to a bridge and jumped into the river for a quick cool off, then rode back to sit on the lawn and enjoy the Sun Valley Summer Symphony play with Garth Brooks for an incredible concert. Sunday brought us up to the Sawtooth Mountains and some river rafting on the Salmon. Whew! For a 30 hour trip, we certainly packed it in.

New Article Featuring Abstract Artist Michael Kessler

Friday, November 27th, 2009

Laguna News-Post

ART WAVES

Artist and His Art Form Intimate Relationship with Nature , by ROBERTA CARASSO , 11/26/09

Kessler Triptych

Artist Michael Kessler is passionate about exploring and creating art based on the dynamics of nature. His acrylic panels, in his solo exhibition at the Art Cube Gallery, are responses to questions he continually ponders: How do various natural processes affect the physical world? And why do natural substances get to be shaped the way they do?

Thus, Kessler’s techniques and original methods emerge from his close observation of nature and deciphering how it creates. In this way, the artist and his art form an intimate relationship with the natural world.

While scrutinizing natural specimens, the artist continues to question phenomena such as erosion, how the wind or water slowly sculpts rocks, manipulates soil, changes waterways, is constantly in a state of building, destroying, rebuilding, and altering the world at every moment. Kessler’s artistic processes, therefore, have become like natural processes.

The artist is not concerned with recreating how the world looks, capturing a static landscape. Rather, he uses numerous methods he meticulously devises, to bring about holistic, abstract imagery that is born from Kessler’s reconfiguring the never-ending forces that continually affect our planet.

Kessler is truly a seasoned painter and Laguna Beach is honored to have his art displayed here. He exhibits internationally, is a Rome Prize recipient as well as having received the Pollock/ Krasner Award, and praise for his work in the Whitney Museum of American Art Independent Study Program.

Making art consistently for 35 years, Kessler has much experience working with nature-based abstractions. Using many layers of paint, sanding, building up textures then removing layers, and adding more, Kessler gets closer to ways nature creates.

The final work of art shifts between representation and abstraction. When looking at his sophisticated panels, we don’t see nature, per se, but somehow each panel reminds us of some aspect of nature’s familiar wonderland.

Kessler is inspired by the endless examples nature provides. He might pick up a rock, turn it over and relish the colors of calcium rust or iron or the accumulation of oxidation. He ponders too how water seeps on to a stone and gives it its present color and shape. Nature constantly feeds his curiosity and artistic appetite.

Kessler is never at a lost for subject or for a new painting possibility. Yet Kessler’s style of painting is spontaneous, without plans or preconceptions. Arriving at his studio, he studies each panel and allows it to awaken an idea. The materials call to him and as an artist he responses, beginning the process in concert with the materials. One thing leads to another and the art evolves.

At the outset of the process, Kessler chooses certain parameters, such as colors that do affect the work. He avoided green colors for many years, but two years ago, Kessler decided to take up the challenge of greens when he observed how movie sets frequently use green walls for interiors. Greens enhance human skin color and create a harmonious setting. Gallery visitors, seeing Kessler’s work are inspired, even uplifted by his engaging imagery. It evokes a positive response as each painting enriches people’s vision of the world.

Art Market Ethics on NPR– What’s Your Opinion?

Thursday, April 9th, 2009

Michael Kessler Art Installation

The art market in New York is so different from the contemporary market in the Southwest and in our region that we might as well be on different planets. For our regional art market, prices are determined by the artist’s price list and recent sales. Most artists in this region increase their prices about 5-10% every few years; again, depending on sales and availability, as well as exhibitions and press, etc. Artists and their prices are rarely volatile and it’s even more rare to see decreases in their work’s value. Although you’re never going to make millions investing in regional artists, you’ll also never see huge decreases in value. Again, at Gallery MAR, we always recommend investing in art for yourself, for your life, and buying what you love.

But in New York, especially in the last few years (2000-2006) it has been “anything goes!”  for sales at the auction houses. Critics of this market say a lack of oversight in the art market permits manipulation (akin to Hedge-fund manipulation). Dealers, who can artificially inflate auction prices, or buyers who are “in” with the auction houses, can buy to drive up the market of their own collections. But others argue that the value of art isn’t determined by money. They say that the art world isn’t an industry and shouldn’t be treated as such.

It’s a fascinating topic and one that merits much discussion.

I was recently directed to this interesting conversation about the much-discussed high end contemporary art market. Amy Cappellazzo (deputy chairman at Christie’s), Chuck Close’s (artist with more than 150 solo exhibitions), and Jerry Saltz (senior art critic for New York magazine) argue against the motion that “The Art Market Is Less Ethical Than the Stock Market.” What’s your opinion? Listen and enjoy, then post your own position!